Copper, bronze and verdigris
Metallic finishes applied by hand and aged on purpose. Each surface carries real metal tones, oxidised and burnished so no two areas are alike.

Four ways metal ages
Every patina is sampled first. We adjust the base colour, the metal and how far it is oxidised until it suits the room and its light.
VerdigrisCopper with turquoise oxidation
Burnished copperWarm metal over a charcoal base
Aged copperSoft, cloudy and matt
Oxidised bronzeNear-black with gold flecksWhere we use it
Patina works best where it is seen up close and caught by light: one strong surface in an otherwise quiet room.

Copper and verdigris worktop
A full-length island finished in copper, with verdigris worked into the raised texture and sealed for daily use.

Copper stair wall
A double-height wall in aged copper, divided by slim inset light lines that follow the rake of the stair.

Verdigris bath
A freestanding bath clad in verdigris, set against a dark relief wall with a cracked-earth texture.

Copper feature wall
A single panel of soft copper behind the seating, framed by darker walls so the metal glows.
Where it works
Patina finishes suit feature walls, chimney breasts, staircases, joinery, bath panels and worktops. Surfaces that are touched or splashed are sealed to suit their use.
Because each piece is aged by hand, the final surface will vary from the sample in the way natural metal does. We agree the range of variation with you on a full-size sample board before work starts.